Street Food of Chinatown

Take it from me. Manhattan’s Chinatown is packed with incredible cheap eats. I worked out of an office on East Broadway for over five years, and I took full advantage. When you start doing the math, it works out to approximately 1,ooo amazing lunches–most under five bucks. In fact I took so many notes and photos that I recently turned all of my food adventures into an iPhone app called Chinatown Chow Down. And although I love all of the sit down restaurants, my favorite part was being able to explore the street carts of Chinatown. They have inconsistent hours, can be hard to find, change up their menus…but when you do track them down, you’re always in for a treat. From grilled meats to rice noodle rolls to tea eggs, the food looks and tastes fantastic. Below are a few photos of my favorite streets food purveyors from the neighborhood. To explore on your own, download the app and walk the streets of Chinatown from morning to night. You’ll find something special. And of course drop me a line when you do!

The "Amy Good Food Cart" just outside of the Canal Street Subway station. C. Nelson, 2011.

Fu Zhou Good Taste under the Manhattan Bridge. C. Nelson, 2011.

Chee Cheong Fun Cart at Elizabeth and Hester Streets. C. Nelson, 2011.

Shing's Food Shop at Catherine and Madison Streets. C. Nelson, 2011.

Rutgers Street Food Cart, open early in the mornings. C. Nelson, 2011.

Xinjiang Kebab Cart on Forsyth Street under the Manhattan Bridge. C. Nelson, 2011.

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Beats For Your Week – Tinariwen

Oh man, there’s so much great live music happening in NYC this summer. Summer is this 106thstreeter’s favorite season, especially in the Baked Apple. Many locals head out-of-town, extending their weekends, pulling in Fridays and/or Mondays, making the city as calm as you can get for the city that never sleeps. The overwhelmingly beautiful musicians who call themselves Tinariwen, from the great country of Mali, return to NYC in July at the Highline Ballroom. We’ll be there.

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Abrazo Fraternal del Barrio

With the lingering signs of the annual weeklong celebration of all things and people Puerto Rican still visible around Spanish Harlem, it’s hard to believe the 26th annual 116th Street (Abrazo Fraternal) Festival and 54th annual Puerto Rican Day Parade (and the 16th annual National Puerto Rican Day Parade) have come to an end once again. Or have they? President Obama himself has actually heard the call of the clave rhythm, that irrepressible energy celebrating Boricua heritage, and impelling anyone who gets within an earshot to go to Puerto Rico. And it’s about time…the last US president to head to that beautiful island was Kennedy  in 1961?!?

Despite the gray, gloomy day, nothing could stop the celebration at the stage on 3rd Ave. And no country wears their flag as well as Boricuas.

Live from El Barrio, Boricua style. P. Glowinski, 2011.

There are a myriad of ways to wear the Puerto Rican flag. P. Glowinski, 2011.

Beauty and beats. P. Glowinski, 2011.

Live sounds...better. P. Glowinski, 2011.

Across 107th Street. P. Glowinski, 2011.

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Beats For (Anthony Weiner’s) Week – “Pass the Hatchet”

One step forward, two steps back, thanks man. How hard  is it (no pun intended) to not take a photo of your d*#k?

Let the great song by Roger & the Gypsies, “Pass the Hatchet,” help us New Yorkers get through the fall of yet another Icarus:

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The View From Knickerbocker Ave

Sometimes the most spectacular scenes happen when you least expect it. After exploring Bushwick on an early Friday evening (including a stop for coal oven pizza), the last thing you expect to see is one of the most beautiful sunsets ever. But that’s exactly what happened. Running up to catch the M Train back to Manhattan, we were mesmerized by the view. In fact all the waiting straphangers were looking over their shoulders instead of peering down the track searching for the next train.

Sunset and skyline. C. Nelson 2011.

Sunset on June 3, 2011 from the M Train platform. C. Nelson, 2011.

Rooftops and skyline. C. Nelson, 2011.

Knickerbocker Avenue stop on the M Train. C. Nelson, 2011.

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Love Thy Neighbor – Gil Scott-Heron

“Voice of black culture,” “polymath,” “musician and poet,” “spoken-word musician,” “composer, musician, poet, and author,” “godfather of rap,” “poet and music pioneer,” “influential poet/musician helped inspire rap, “US activist, poet and singer.” These are just a few of the headlines these last few days following the death of Gil Scott-Heron on May 27, 2011. In Spanish Harlem, we would also add “neighbor.”

On Gilles Peterson’s weekly music show that aired just last week on BBC Radio 1, XL Recordings’ label boss Richard Russell described what is was like recording Scott-Heron’s latest and last album, I’m New Here. Russell realized that what Gil was saying in the down time between recordings was just as incredible as the music, so he recorded that too. In the recordings, you hear Scott-Heron describe himself this way, “I am a piano player.”

Though Scott-Heron was born in Chicago and spent a good part of childhood living with his grandmother in Jackson, Tennessee, he lived most of his life in New York City–in the Bronx, in Chelsea, and in Spanish Harlem not too far from the 106thstreeters. One of the 106thstreeters was even fortunate enough to have a chat with him when he was being photographed last year in front of the Graffiti Hall of Fame, presumably for his latest album release, I’m New Here, and had the opportunity to thank him in person for his music…and, you know–for everything.

Here’s a photograph taken at last year’s Summerstage concert in Marcus Garvey Park in Harlem. It goes down as one of the best nights ever for the 106thstreeters.

Gil Scott-Heron at Marcus Garvey Park in August 2010. C. Nelson, 2010.

Speechless at the loss of Gil, but thankful for his musical and intellectual genius–for what he left us, we’ll leave it to Gil, in his own words, to give us insight on just how much he means to us….just insert Gil Scott-Heron after Trane.

Lady Day and John Coltrane

Ever feel kinda of down and out and don’t know just what to do?
Livin’ all of days in darkness, let the sun shine through
Ever feel that somehow, somewhere you lost your way?
And if you don’t get help you won’t make it through the day
You could call on Lady Day!
You could call on John Coltrane!
They’ll wash your troubles, your troubles away

Plastic people with plastic minds on their way to plastic homes
There’s no beginning, there ain’t no ending
just on and on and on and on and…
It’s all because we’re so afraid to say that we’re alone
until our hero rides in, rides in on his saxophone
You could call on Lady Day!
You could call on John Coltrane!
They’ll wash your troubles, your troubles away

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Beats For Your Week – Jamaica Funk (Queens, baby!)

With the First Annual Harlem Jazz Shrines Festival just wrapped up, it’s the perfect moment to think about jazz–past, present, and future. The latest issue of the always hot Wax Poetics does just that. Here at 106th Street, music is always on. At least 40% of the time, it’s jazz. That said, we have friends who never listen to jazz. It’s hard for the 106thstreeters to be objective in this matter. Luckily, the writers/thinkers/musicians/music obsessed/brilliant people at Wax Poetics have done it for us. Out of their love of jazz, they look at the past, present, and future of jazz–in the hope that it will live up to its reputation.

In the late 1970s and early 1980s, the great borough of Queens was its own jazz/funk capital. The Queens neighborhoods of Jamaica, St. Albans, and Hollis were hotbeds of great musical talent. Born out of, and schooled in, the jazz traditions of their musical genius/jazz greats neighbors who moved to the borough several decades earlier, these young musicians tweaked their roots to make something new. For the story, just start at issue 46 of waxpoetics. Your Beats For Your Week comes from this article…and as the article suggests…it’s just a wildly popular song that rose the charts, in spite of the fact that it was far from the best work any of the Kats or non Kats produced. Regardless, it’ll funk you up.

Funkin’ for Jamaica/Jamaica Funk

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The Apollo Shines for Harlem Jazz Shrines

The Apollo Theater marquee. C. Nelson, 2011.

Last weekend, the Apollo went back-to-the-future of its historic past as it hosted “Jazz à la Carte,” a variety show featuring comedy, dance, and live music–and part of the weeklong (and first annual) Harlem Jazz Shrines Festival. The show, “Wycliffe Gordon’s Jazz à la Carte,” had renaissance man/trombonist Gordon holding down the multiple roles of musical impresario and music director, actor and comedian Robbie Todd as master of ceremonies,  tap dancer/rhythm master Savion Glover bringing da house down, the Temple University Jazz Band playing effusive energetic straight ahead jazz as the backing band, jazz vocalist Carla Cook there to show the young ones how it’s done, the Jazz a la Carte dancers hot-stepping to Kenneth L. Roberson’s choreography, and finally, the young ones…trombonist Corey Wilcox, saxophonist Grace Kelly, and singer Nikki Yanofsky representing the future of jazz.

The festival, rooted in Harlem’s jazz history, is meant to do more than relive the past. It’s meant to look at where jazz is today, where it’s going tomorrow, and who will be the ones to move it into the future. The Apollo too is looking at its brilliant past and revisioning its role in shaping the future of music, and the future of Harlem.

In the meantime, here’s another jazz conundrum: trumpet or trombone?

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Beats For Your Week – The Stumblebums

Out of nowhere comes the sudden and beautiful din of a trumpet, a tuba, drums, and a raspy shout. No, you’re not in New Orleans. You’re out way too late in downtown NYC, and The Stumblebums are here to keep the party going all night. This funky punky trio regularly plays clubs like The Mercury Lounge, but for the real deal catch them on the street, in a random bar, or at an underground party. If you like these YouTube clips, you can download their latest album, the hilariously titled “F*#k You Lady Gaga. For up-to -the-minute info on spur of the moment shows, keep track on Twitter or Facebook.

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Off Season Block Island Bliss

Block Island is amazing in the summer: sandy beaches, relaxing bike rides, feasts of grilled fish, and drinks on a historic hotel deck. However, it’s the off season when this tiny and often overlooked island really shines. This time of year is especially stunning when the wild daffodils are out in full force, the seals are basking on the rocks along the coast, and the birds never stop chirping.  If you’re lucky enough to catch a few sunny days, you’ll be reveling in empty beaches and gorgeous vistas usually only found in brochures.

Arriving on the ferry from Pt Judith. C. Nelson, 2011.

A house along Corn Neck Road. C. Nelson, 2011.

The Mohegan Bluffs on an April late afternoon. C. Nelson, 2011.

The BI Historical Society. C. Nelson, 2011.

Southeast Lighthouse. C. Nelson, 2011.

A bucolic farm complete with horses and chickens. C. Nelson, 2011.

The ferry coming in off of Fred Benson Town Beach. C. Nelson, 2011.

The lawn of the historic Spring House near sunset. C. Nelson, 2011.

Looking north from Beacon Hill. C. Nelson, 2011.

A local carrying his furry companion. C. Nelson, 2011.

A friendly seal hanging out near North Light. C. Nelson, 2011.

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